![]() He feels the same ambivalence about legacy. That's why I don't deal with nostalgia, because it still feels like I'm 7 or 17 years old, and everybody comes to offer me some kind of validation.” I'm just saying, these are the people who called me at my house and gave me comfort and encouragement. King and John Lee Hooker and Miles Davis,” he says. “Angels and archangels have conspired to give me the green light to always be at the right place, with Tito Puente and B.B. Is that a coincidence? Or is Santana playing into nostalgia? As it happens, it’s also the 50th anniversary of the summer of Woodstock and the 20th of the summer of Supernatural. Produced by studio polymath Rick Rubin with vocals from Spanish singer Buika, Africa Speaks is Santana’s hopeful homage, he says, to the lineage of genres such as mambo, rumba and cumbia that themselves have underpinned the broad field of Latin music he moves in. Santana and his eponymous band will release a new studio album, Africa Speaks, on June 7. Meet the trailblazing music director who helped rocket Elton John to success in America “When you see a little bird with a French fry, you see pure joy.”Įlton ‘completely trusted me,’ says Giles Martin, music producer of Rocketmanīruce Springsteen’s cinematic fascination extends to his new album Western Stars “I keep going back to feeling like a little bird with a French fry,” the 71-year-old said by phone from San Francisco this week. He certainly prefers to think in those terms. And maybe Santana is just happy to be making music, no matter when it is. So maybe there hasn’t been one moment when it’s been great to be Santana. We’re talking about Santana: the endlessly happy Mexican-American guitarist who somehow, five decades into his career, is still actively making art as his previous work keeps winding its way into the present moment. Maybe, I suppose, it could have been a year later, when his cover of Black Magic Woman on the album Abraxas helped make him a household name – or would 2007 be more fair, when the song was embraced by impressionable millennials on the bestselling video game Guitar Hero III: Legends of Rock?Ī strong contender would be 1999, when he challenged the music industry’s cash-flush popstar era with Supernatural, the comeback-crossover masterpiece that birthed Smooth, itself one of the most perfect songs to ever be recorded. It is possible, perhaps, that 1969 was a better time to be Santana, when he set the original Woodstock ablaze. There may not be a better time to be Carlos Santana than right now. ![]()
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